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The Palazzo Leoni Montanari is a Baroque mansion built in the 17th century to show off the family's wealth and make a bid for a royal title. It houses the Gallerie D'Italia collection of Renaissance art.

The Palazzo Leoni Montanari is a Baroque mansion built in the 17th century to show off the family's wealth and make a bid for a royal title. It houses the Gallerie D'Italia collection of Renaissance art. (Nancy Montgomery/Stars and Stripes)

The Palazzo Leoni Montanari is a Baroque mansion built in the 17th century to show off the family's wealth and make a bid for a royal title. It houses the Gallerie D'Italia collection of Renaissance art.

The Palazzo Leoni Montanari is a Baroque mansion built in the 17th century to show off the family's wealth and make a bid for a royal title. It houses the Gallerie D'Italia collection of Renaissance art. (Nancy Montgomery/Stars and Stripes)

The collection of Gallerie D'Italia-Palazzo Leoni Montanari includes numerous Russian icons as well as Italian Renaissance art.

The collection of Gallerie D'Italia-Palazzo Leoni Montanari includes numerous Russian icons as well as Italian Renaissance art. (Nancy Montgomery/Stars and Stripes)

The ceiling in the Gallerie D'Italia-Palazzo Leoni Montanari's Gallery of Truth is a Baroque trip, with Heracles' labors depicted around the edges, while the muses --  Calliope, Erato, Thalia and the others --  frolic in the center.

The ceiling in the Gallerie D'Italia-Palazzo Leoni Montanari's Gallery of Truth is a Baroque trip, with Heracles' labors depicted around the edges, while the muses -- Calliope, Erato, Thalia and the others -- frolic in the center. (Nancy Montgomery/Stars and Stripes)

Venetian painter Pietro Longhi's work represented regular citizens in cheery scenes of daily life; even fainting looks nice.

Venetian painter Pietro Longhi's work represented regular citizens in cheery scenes of daily life; even fainting looks nice. (Nancy Montgomery/Stars and Stripes)

Rebel angels tumble to Hell in a marble sculpture at the Gallerie D'Italia-Palazzo Leoni Montanari.

Rebel angels tumble to Hell in a marble sculpture at the Gallerie D'Italia-Palazzo Leoni Montanari. (Nancy Montgomery/Stars and Stripes)

The entryway to the Pallazo Leoni Montanari is the beginning of an immersion in the Baroque.

The entryway to the Pallazo Leoni Montanari is the beginning of an immersion in the Baroque. (Nancy Montgomery/Stars and Stripes)

World-class museums such as the Metropolitan Museum of Art or the Louvre contain vast treasure troves of art. But they can also be overwhelming and exhausting.

Provincial museums are cozier. For instance, you can do the Isabella Stewart Gardner Museum in Boston, including masterpieces, in an afternoon.

Vicenza’s Gallerie D’Italia is like that. Owned by a bank, the gallery, in the Palazzo Leoni Montanari, can be toured in a fabulous couple of hours.

Part of the experience is the building itself, which tells a 17th-century tale of inheritance, ambition, social climbing and glitz. The Montanari family, which started out with a textile business that an heir expanded, built a stone and marble mansion that brought them noble rank because it showed “devoted zeal” and added “glory” to Vicenza.

A text near the museum entrance reads: “Anyone crossing the threshold into the Palazzo Leoni Montanari is unexpectedly enveloped in a fantastical, otherworldly atmosphere; each visitor is brought into an unpredictable Baroque game generated by the magnificent combination of sculptures, stuccoes and frescoes.”

It’s not wrong.

Inside, immense frescoes by Giovanni Battista Tiepolo and small paintings of shepherds and fainting women by Pietro Longhi delight the eye. The collection also includes an astonishing marble sculpture of revolting angels falling to hell as serpents ensnare them. The Fall of the Rebel Angels so impressed American author Herman Melville when he saw it in Padova in 1857 that he gave a lecture on it in Cincinnati upon his return to the U.S. the next year.

The English-language signs that accompany the artworks are especially informative, explaining and providing context for what you’re looking at.

Italian “view paintings,” you learn, evolved from pictures that had previously served merely as backgrounds. They became top sellers because the cultural grand tours taken by wealthy Europeans and Americans involved so many Italian stops. And Longhi, perhaps the first Italian artist to paint ordinary Venetians going about daily life, “became a sort of a reporter of his time, his keen eye and interest in the world around him apparent.”

And you haven’t even arrived yet at the Gallery of Truth. Here, in a grand room that’s a riot of stucco and frescoes, Heracles, the greatest of the Greek heroes, is depicted in scenes across the ceiling — in white, gray and gilt — performing his 12 labors: slaying, lions, hydras and bears; cleaning stables; and lending Atlas a hand, among others.

montgomery.nancy@stripes.com

Gallerie D’Italia, Vicenza, Italy DIRECTIONS

Contra Santa Corona 25, Vicenza 36100, Italy. Three pay-parking lots are nearby.

TIMES

10 a.m. to 6 p.m. Tuesdays-Sundays; closed Mondays

Admission: 5 euros (about $5.09) for adults, 3 euros for children, free on the first Sunday of the month

COSTS

5 euros (about $5.09) for adults, 3 euros for children, free on the first Sunday of the month

FOOD

Plenty of restaurants within a block or two around Vicenza’s main piazza. A cafe is a few feet away.

INFORMATION

Phone: (+39) 800-578875

author picture
Nancy is an Italy-based reporter for Stars and Stripes who writes about military health, legal and social issues. An upstate New York native who served three years in the U.S. Army before graduating from the University of Arizona, she previously worked at The Anchorage Daily News and The Seattle Times. Over her nearly 40-year journalism career she’s won several regional and national awards for her stories and was part of a newsroom-wide team at the Anchorage Daily News that was awarded the 1989 Pulitzer Prize for Public Service.

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