CAMBRIDGE — Some nights you feel like a fat steak and a pint of clear lager would hit the spot, or maybe a bucket of popcorn and an action film is the way to spend the evening hours.
Then there are those nights when you feel you need to see a Chinese man balance a 15-foot pole on his foot, kick it into the air and catch it. With his forehead.
For those kind of nights, the only place to go is to the Chinese State Circus, an engaging medley of stunts, acrobatics and magic acts currently touring venues in England.
For visitors who have been to many a circus in the past and seen the regular melange of strongmen, tumblers and bareback riders trolling the ring under the big top, the Chinese State Circus offers an interesting mix of tricks and spectacles that can leave you wondering how people ever even came up with the idea for some of these stunts, much less perform them.
The show starts with an introduction from the host, the mischievous Monkey King, a bouncing, unruly little being who serves as both narrator and comic relief.
He is, actually, the closest thing to a clown the circus has, which means no belly laughs between acts, unfortunately.
Couched as a loose history of cultural development in China from its origins thousands of years ago, the circus begins with the first of what becomes a theme in the show: the use of simple items to showcase extraordinary feats of skill and agility.
Kicking off the show is a group of five men who each pick up one of the only pieces of set decoration on the stage — tall wooden poles topped with bells and what look like lampshades — and keep them balanced upright while doing nearly inconceivable maneuvers.
They balance them on their heads and feet, do forward rolls and spins, throw them to each other from various heights and distances, sometimes without looking, but always keeping them upright.
From there, the circus presents pieces such as the Chinese lion dance, Peking opera characters and jar jugglers, who launch massive jugs and vases at each other, catching them with their hands and foreheads and lobbing them across the stage from their shoulders.
Woven throughout the performance are repeated appearances by the stars of the circus, the Shaolin Wu-Shu warriors, a group of highly energetic performers in orange, monk-like robes who engage in kinetic displays of martial arts and weapon-wielding. The Wu-Shu warriors also do handle the strength displays in the show, breaking various pieces of concrete and bricks with their heads or crushing them with a sledgehammer against each another’s bodies.
Crowd favorites tend to be the acrobatic displays, such as the pole jumpers and the group of tumblers who set up hoops on stage and do dives and flips through the middle of them. The men show amazing flexibility and seem to have the ability to defy gravity, as though they had hollow bones and oiled joints, jumping to head-shaking heights and launching themselves upwards without apparent effort.
Another signature of the circus is its ability to take events a step further than seems possible. The slack rope walker doesn’t just walk the wire, for instance, he does a handstand, lays down on it — then stands on his head.
When a man comes out walking on a giant ball, that seems like enough for the crowd, but the performers then proceed to put the two-man “lions” on the ball — and has them walk over a see-sawlike ramp.
At just under two hours, with a 15-minute intermission in the middle, the engaging show is attended by groups of adults and mobs of children, who applauded heartily throughout the show at a recent opening in Cambridge.
For a little something different, it can make for a decent night out.
(tour lasts through mid-March)
Wednesday: Kings Lynn Corn Exchange
Friday-Sunday: London, New Wimbledon Theatre
Tuesday-Jan. 24: Peterborough, Broadway Theatre
Jan. 25-27: Hull, New Theatre
Jan 28-29: Skegness, Embassy Theatre
Jan 31-Feb. 4: Manchester, The LowryFor more information on the circus, visit: www.chinesestatecircus.com